“IQINISO LONKE IREKHODI LE-POP ELIPHUMELELEYO,” kwaphikisa uBrian Eno kumagazini wasehlobo we-Artforum ngo-1986, “ukuthi umsindo wayo uyingxenye yomculo wayo noma ukwakheka kweculo nanoma yini enye.”Ukufika kobuchwepheshe bokuqopha kanye nama-synthesizer ngaleso sikhathi kwase kuvele kwanwetshwa ngendlela ephawulekayo ama-sonic palettes abaqambi, futhi isithakazelo somculo sasingaseyona nje ingoma, i-serialization, noma i-polyphony, kodwa "ekubhekaneni njalo nokuthungwa okusha."Emashumini amathathu eminyaka adlule, umqambi, umculi obonakalayo, kanye ne-turntablist extraordinaire uMarina Rosenfeld uye wakha umtapo wolwazi wama-dubplates—leyo mijikelezo ye-aluminium engavamile, eyigugu egcotshwe nge-laque futhi efakwe intambo esetshenziswa njengokucindezela kokuhlola okuphuma kuyo i-vinyl ukuze isakazwe ngobuningi. iyakopishwa—egcina izingxenye zezindawo zakhe ezihlukile ze-sonic: amapiyano ankencezayo, amazwi abesifazane, amaza anesine, ama-snaps, ama-crackles, nama-pop.Amazwibela ezingoma eziqediwe aphinde afinyelele kulawa madiski athambile, lapho, phakathi nokuphotha okuphindaphindiwe, ayasonteka futhi ama-grooves awo aguge.(UJacqueline Humphries wesikhathi sika-Rosenfeld uguqulela imidwebo yakhe emidala ibe yimigqa ye-asciicode futhi ayiveze kumaseyili amasha esenzweni esifanayo sokuminyanisa ulwazi).Ngokuklwebha nokuxuba ezitezini zakhe ezimbili, azichaza ngokuthi “umshini oguqulayo, isazi se-alchemist, i-ejenti yakho kokubili ukuphindaphinda noshintsho,” uRosenfeld uthumela ama-dubplates akhe emikhawulweni eminingi yomculo.Umsindo, nakuba ungaphumi ncamashi, uhlezi ubonakala ungowakhe.
Kulo Meyi odlule, ama-turntable ka-Rosenfeld ahlangane ne-modular synthesizer yomculi u-Ben Vida ngesikhathi sokuthuthukisa e-Fridman Gallery ukubungaza ukukhishwa kwerekhodi labo lokusebenzisana elithi Feel Anything (2019).Ungasebenzisi amathuluzi endabuko, futhi indlela ka-Vida iphikisana kakhulu neka-Rosenfeld;kuyilapho ekwazi ukudweba kuphela kulabhulali yamasampuli arekhodiwe (i-turntable, ngamagama akhe, “ayenzi okungaphezu kokudlala osekuvele kukhona”), uhlanganisa umsindo ngamunye bukhoma.Bephuma esixukwini, laba ababili bathatha izindawo zabo ngemuva kwemishini yabo.Ezingxoxweni, uVida noRosenfeld bagcizelele ukuthi nakuba umuntu kufanele aqale uhlelo ngesikhathi sokusebenza kwabo okuthuthukisiwe, akekho umculi ohloselwe ukuhola omunye.Ngalobu busuku uRosenfeld wasukuma, waphendukela kuVida, wabuza: “Ingabe usukulungele ukudlala?”Benqekuzisa ikhanda bebonana, bahamba.Umyalo ka-Rosenfeld wamadekhi namapuleti akhe akuwona, ubuhle bakhe obulula bufakazelwa ukuzola kwakhe njengoba efinyelela enye i-acetate noma enikeza inkinobho yevolumu ukuzamazama okunamandla ukuze acishe ashaye ingilazi yakhe yamanzi.Akukho lutho ebusweni bakhe okwakubonisa ukukhathazeka ngokuthi ingase iwe.Etafuleni elifanayo eliqhele ngamamitha ambalwa, u-Vida wanxenxa amabhalushi namathoni angachazeki ku-synthesizer yakhe enyakazayo enama-tweaks amancane kanye nokukhohliswa kwesiphithiphithi sezintambo ezinemibala.
Emizuzwini eyishumi nanhlanu yokuqala, akekho umdlali owathi nhla ezinsimbini zakhe.Lapho u-Rosenfeld no-Vida begcina bevumelene bakwenza lokho okwesikhashana futhi ngokungananazi, njengokungathi bayanqikaza ukuvuma ukuba nesandla esenzweni sokwenza umsindo.Kusukela ngo-1994, ngenkathi eqala ukwenza i-Sheer Frost Orchestra enamantombazane ayishumi nesikhombisa adlala iziginci zikagesi eziboshwe phansi ngamabhodlela e-nail polish, umkhuba ka-Rosenfeld uye wabuza kokubili ubudlelwano phakathi kwabantu kanye nobudlelwane bomuntu siqu babadlali bakhe abangaqeqeshiwe kanye nezethameli ezithunjiwe futhi bamukela ukuzithoba. yesitayela.Intshisekelo yakhe ilele kulokho u-ur-experimentalist u-John Cage akuhlonze kabi njengokuthambekela komthuthukisi “okubuyela emuva ezintweni abazithandayo nabangazithandi, kanye nenkumbulo yabo,” ukuze “bangafiki kunoma yisiphi isambulo abangasazi. ”Insimbi kaRosenfeld isebenza ngokuqondile ngemnemonic—amadubplate angamakiwe angamabhange enkumbulo omculo asetshenziswa ngempumelelo kakhulu yilabo abajwayelene kakhulu nokuqukethwe kwabo.Ngempela, uvame ukusebenzisa amasampula ahlakaniphile opiyano, insimbi aqeqeshelwa kuyona, njengokungathi umba osemusha ocindezelwe.Uma ukuthuthukiswa okuqoqiwe kufinyelela okuthile okufana nengxoxo lapho bonke abathintekayo bekhuluma ngesikhathi esisodwa (I-Cage iqhathanise nengxoxo yephaneli), u-Vida no-Rosenfeld bakhulume ngezisho ezivuma ukuphila kwabo okudlule kanye nempilo eminingi yezinsimbi zabo.Ukungqubuzana kwemihlaba yabo yomsindo, okucijiswe ngeminyaka yokusebenza nokuhlola, kuvula indawo entsha yendlela yokwenza.
Kuqalwa nini futhi kanjani, kuphele nini futhi kanjani—lena imibuzo ebeka ukuthuthukiswa kanye nobudlelwano phakathi kwabantu.Ngemva kwemizuzu engaba ngamashumi amathathu nanhlanu yothando olufudumele, oluhlabayo, u-Rosenfeld no-Vida baphetha ngokubheka, ngokunqekuzisa ikhanda, nokuhleka usulu ngokungenakwenzeka kwanoma yisiphi isiphetho sangempela.Ilungu lezethameli elishisekayo licele i-encore.“Cha,” kusho uVida."Lokho kuzwakala njengesiphetho."Ekuthuthukisweni, imizwa ivame ukuba amaqiniso.
UMarina Rosenfeld noBen Vida badlale eFridman Gallery eNew York ngoMeyi 17, 2019, ngesikhathi kukhishwa i-Feel Anything (2019).
Isikhathi sokuthumela: Sep-13-2022